‘NOT LIKE YOU’ BY SHOVIT DASGUPTA, DURBA NAG AND SHARAN KAUR AND VASUNDHARA MANTRI GAVE NEW FASHION ANGLES AT JABONG STAGE DURING LAKMÉ FASHION WEEK SUMMER/RESORT 2015

Mumbai, 19 March 2015: The fantabulous trio of designers Shovit Dasgupta, Durba Nag and Sharan Kaur, stayed true to their roots while showcasing their collection for their label ‘NOTLIKEYOU’ at Jabong Stage during Lakmé Fashion Week Summer/ Resort 2015.

‘NOT LIKE YOU’

Their designs were about the wonder that is India. Something about the rawness of hand woven fabrics drew them to venture into the aesthetics of this widely practised but undermined form of art. The idea was to promote the beauty and create a new hopeful future for this art.
Unusual but unique, the cuts were fun and new like the revival of a 25-year-old sari turned into a cropped top and dirndl skirt set. Each fabric used was painstakingly handmade down to the last inch like the pure Khadi fabrics of Bengal.

‘NOT LIKE YOU’

Jamdani weaves, hand painted and wood block prints were some of the elements that stood out. An ensemble that was particularly striking was the parrot green tunic, with pleated detailing with a lighter shade of green shawl-draped around the neck. Another lively piece was the pink tented tunic with a wide green border.
A healthy reminder of talent in the very potential of this craft was the ideology behind Shovit Dasgupta’s, Durba Nag’s and Sharan Kaur’s label ‘NOTLIKEYOU’ and certainly achieved it.

VASUNDHARA MANTRI EMBODIED A FAMOUS AVATAR AT LAKMÉ FASHION WEEK SUMMER / RESORT 2015.

‘Yagyaseni: The Warrior from Within’ by Vasundhara Mantri empowered with her collection at Lakmé Fashion Week Summer/Resort 2015
‘Yagyaseni’ was another name for Draupadi, the heroic princess who was firm with a stone hard will, in the Hindu epic ‘The Mahabharata’. Draupadi grew into her own person after emerging through hardships, pains and trials in life. Delving into the moral of the story, the collection told a tale of every women overcoming hurdle after hurdle to find herself in the process.
Using jute as a main component for her designs, Vasundhara judiciously incorporated it along with sheer fabrics to create a stunning fusion between the two. Colours of jute like beige and mud brown were used in jibe with translucent blacks, pearl whites and dull greys.

VASUNDHARA MANTRI

An element of the apparel that was enrapturing was the Cleopatra-like, front-open jute dress adorned with golden accessories and the black cropped corset amalgamated with a sheer maxi skirt with alternate panels in jute and a beaded gold cape.

VASUNDHARA MANTRI

The compilation used statement-making jewels that emphasized the power of women, and incorporated it into metal and pearl meshes used in various styles.
The collection comprised jewelled caps, body and leg-chains, mesh gloves, hand harness, cuffs, earrings, jewelled veils and waist backbone.
Fashion at its best, ‘Yagyaseni’ by Vasundhra Mantri was an eye opener for all the ladies to recognize their self-worth, and want to be fashionable in doing so.

INDIAN HANDLOOMS AND TEXTILE DAY AT LAKMÉ FASHION WEEK SUMMER/RESORT 2015 WAS OPENED BY UJJAWAL DUBEY, DIVYA SHETH, MAYANK ANAND AND SHRADDHA NIGAM WITH THEIR STYLISH FASHION STATEMENTS

MAYANK ANAND AND SHRADDHA NIGAM BROUGHT TIMELESS FABRICS TO THE FOREFRONT AT LAKMÉ FASHION WEEK SUMMER/RESORT 2015

19 March, 2015: With two timeless fabrics as their base, Mayank Anand and Shraddha Nigam presented their “Chauraha” collection at Lakmé Fashion Week Summer/Resort 2015. 

Dhonekali from West Bengal was a fabric with its unusual twisted yarn that is normally found in the pallav. The Gamcha, the other selection was a very interesting unstitched fabric/garment of the country with multiple uses, which is carried by men and women throughout the year for different purposes.

MAYANK ANAND AND SHRADDHA NIGAM

The designing duo used them in a colour palette of black, white and red checked pattern along with hand woven cotton that created a fashionable stir on the runway as the models glided down. From interesting draped tunics and dresses to cowl pants and striking tops; the collection made optimum use of these two very humble textiles. 

Construction was at its extreme best. Starting with an attached necklace to a multi panel dress, the looped tunic, a great buttoned down onesie with a detached collar and jumpsuit tunic. The extended kurta maxi dress with attached dupatta, Jaffa pants, shirt-jacket dress, a shift with an attached cape and a lop sided top were some more eye- catchers.

The designing duo did not control their creativity as the asymmetrical kurta with shoulder drape and the layered maxi completed the cool but very rustic collection.

When fashion followers want to dwell deep into rustic culture and bring popular fabrics into their wardrobes, the “Chauraha” collection by Mayank Anand and Shraddha Nigam will satisfy their sartorial needs.

DIVYA SHETH TOOK THE AUDIENCE ON A ROYAL FASHIONABLE ORGANIC JOURNEY AT LAKMÉ FASHION WEEK SUMMER/RESORT 2015

Giving eco-organic fabrics the luxe royal touch Divya Sheth presented her collection “Sultana on Safari” at Lakmé Fashion Week Summer/Resort 2015

Aimed at the jet-setting global traveller who believes in sustainable fashion, Divya ensured that her fabric choice was pure hand spun and woven Khadi, organic silk and silk chiffon, which were given an innovative touch with traditional reinvented Kalamkari and Ajrakh in natural dyes.

To make life really easy for the worldwide tourist, there were summer trench coats with spacious pockets for Ipad, mobiles and passports. For the sporty ones, the addition of convenient pockets for binoculars so that hands were kept free was great. With the ‘trench’ as the inspiration, the collection added trench anarkalis, which would be ideal for that destination wedding far away from home.

DIVYA SHETH

Colours were kept very earthy with beige, brown, leaf green and rust adding to the natural tone of the collection. 

Detailing that was impressive were the slit sleeves, floppy collars, tail coat tunics, beautiful cutwork sleeves and hem edges, the very interesting dhoti skirts and batwing covers.

Added to the look was eco-wood and silver jewellery decorated with kachchi embroidery.

Mix fashion with an organic flavour and turn into a “Sultana on Safari” declared Divya Sheth with her colourful collection. 

UJJAWAL DUBEY’S ANTAR-AGNI LABEL UNVEILED SUBTLE DRAMA FOR MEN’S AND WOMEN’S WEAR AT LAKMÉ FASHION WEEK SUMMER/RESORT 2015

‘Antar-Agni’ the label by Ujjawal Dubey offered innovations for his men’s and women’s wear collection called “Half-Light” at Lakmé Fashion Week Summer/Resort 2015.

Ujjawal aimed to create a fashionable balance between contrasts, played with dark and light grey as well as pastel shades of blue and then sprang a surprise with metallic colour details.

Keeping the silhouettes to relaxed fits, which were oversized and layered, Ujjawal’s fabric options were restricted to handwoven khadi, linen net, linen satin blends, cotton linen and added faux leather and organza for accents.

UJJAWAL DUBEY’S ANTAR-AGNI 

Detailing gave the men’s wear a New Age feel as wide salwars, one- button collarless jackets, long knee length Sherwani, and cross-over kurta revealed some comfy options. Angular and asymmetric hemlines accentuated the kurta; while the bundgala jacket with an uneven midi kurta was an unconventional semi-formal offering.

The five women’s wear looks started with a relaxed panelled anarkali with an organza inset at the sides, moved to a cross-over top worn with slashed and layered pants,  a cowl draped toga top and a very innovative pant/skirt. The final kurta with a draped attached dupatta was an amazing two-in-one style.

When men and women want subtle drama or a hint of raw glamour in their wardrobe then they should head for Ujjawal Dubey’s “Half-Light” collection created for his ‘Antar-Agni’ label.

GAURANG SHAH, SHRUTI SANCHETI AND SOUMITRA MONDAL BROUGHT THE GLAMOUR OF ETHNIC WEAR TO THE FOREFRONT

AT LAKMÉ FASHION WEEK SUMMER/RESORT 2015

WITH DIVINE INSPIRATIONS GAURANG SHAH’S “KALPAVRIKSHA” COLLECTION WAS A VISUAL TREAT AT LAKMÉ FASHION WEEK SUMMER/RESORT 2015

19 March 2015, Mumbai: This season it was the divine tree in Hindu mythology that inspired Gaurang Shah’s collection called “Kalpavriksha” at Lakmé Fashion Week Summer/Resort 2015.

Gaurang winner of many awards for his work with Indian textiles and khadi, once again revisited the humble ‘fabric of freedom’ with a representation of the ‘Tree of Life’ woven by the Jamdani weavers of Andhra Pradesh and Bangladesh. He creatively merged the khadi with Phulkari, Kalamkari and Chikankari to bring an innovative textile offering.

GAURANG SHAH

The glamorous show began to the live strains of melodious music by well known saxophone player, Anil Kumar, who serenaded the models with popular Bollywood tunes.

Presenting the exquisite Jamdani art, where the discontinuous extra weft technique of weaving by hand is with a detailed hand drawn design kept under the warp on the loom and replicated perfectly; Gaurang ensured that the result was flawless.

GAURANG SHAH

Creating a perfectly balanced melodious fashion jugalbandi, Gaurang brought together Jamdani, Phulkari, Chikankari and Kalamkari and offered heirloom pieces.

Stunning anarkalis with intricate weaves, ghagras that were voluminous but superbly crafted and elegant saris worn by graceful models floated down the ramp.

Colours from rainbows were used for the weaves and designs, as indigo kurta with woven border, flared beige anarkali, rust lehenga with leaf design, a black stunning sari with a bird pattern, and lots of florals recreated the natural theme. Phulkari was used for dupattas and cholis, while a bird and tiger weave looked magnificent on a sari.

GAURANG SHAH VIDYA BALAN

Making a surprise appearance on the ramp from the audience was showstopper Bollywood super star, Vidhya Balan. She looked beautiful in a gorgeous pink/gold sari designed by Gaurang Shah as they glided down the catwalk together to thunderous applause.

When women want timeless innovative classics in their wardrobe then the beautiful “Kalpavriksha” collection by Gaurang Shah will win them compliments galore.

SHRUTI SANCHETI’S FASHIONABLE NOMADIC COLLECTION WAS AIMED AT THE YOUNG ADVENTUROUS BUYER AT LAKMÉ FASHION WEEK SUMMER/RESORT 2015

Dedicating her “Nomadistaan” collection to the new breed of globe trotters, Shruti Sancheti created a perfect blend of textiles and crafts at Lakmé Fashion Week Summer/Resort 2015.

Keeping the focus on non-conformist lines, Shruti opted for rich hues that ranged from the popular Marsala, soft peach, blush, tangerine, to vibrant crimson red, rose, pink, burnt orange, yellow, indigo, ochré, blue and olive.

SHRUTI SANCHETI

The fabric base remained organic as pure woven khadi, eri, matka and summer silk came together with organic cotton to form the soul of the collection. Prints played an exciting role as Shruti brought together a mélange of tie and dye, Shibori, leheriya, mothda, resist dyeing with wax and block prints.

The detailing was intricate with heer, Bhagat embroidery, kaleen or carpel embellishments and the fabulous banjara work seen in the artistic Thar region but now given a modern slant.

SHRUTI SANCHETI

Giving mix and match options to the dresser, Shruti displayed a relaxed layered look that started with maxis, midis, floppy pants, jumpsuits, pleated pants, tail coat jackets, swishy long or spliced skirts and completed the line with saris.

SHRUTI SANCHETI

Detailing appeared in the form of assorted pockets on sleeves that added to the fun-filled quirky nature of the collection. Zippers gave skirts and tunics a glitzy detailed touch, when they appeared in pairs down the front of slashed kurtas. Shorts were seen with side slit long tunics, a tiny shrug added to beauty of a brown maxi and the black and blue shaded sari and choli revealed contemporary flavour.

For striking rustic inspired vibrant clothes, the young and those young at heart need not travel far since “Nomadistaan” by Shruti Sancheti is within easy reach.

SOUMITRA MONDAL GAVE A CONTEMPORARY ROYAL LOOK TO INDIAN HERITAGE AT LAKMÉ FASHION WEEK SUMMER/RESORT 2015

For Lakmé Fashion Week Summer/Resort 2015 one of Kolkata’s top designers, Soumitra Mondal for his label ‘Marg’ presented a contemporary royal line, called “English Garden”, which was seamlessly blended with classic Indian heritage. The designer focused on embroidery and developed some interesting and eye-catching embellishments in varying patterns. Inspired by the beauty of nature Soumitra had florals in varying shapes and sizes to embellish the creations.

Staying true to his love for khadi, a fabric Soumitra has promoted religiously year after year, this time it was woven in 200’s count along with silk, cotton silk and zori khadi all with a clever twist in the weaving process.

SOUMITRA MONDAL

The colours were dramatic with white and pitch, balanced perfectly by gold and silver. The silhouettes were very traditional as swirling anarkalis, stylish Bandgalas, smart blouses, voluminous lehengas, regal jackets, cute boleros, fitted dress with slim pants and glamorous saris with gold embroidered borders took centre stage. Mini kurtas appeared with embellished waist coats and slim pants; while a regal white Sherwani was a sophisticated entry.

SOUMITRA MONDAL

White was the favoured colour of the collection but with large doses of embroidery that ranged from sequins to crystals and even 3D work.

SOUMITRA MONDAL

The final striking entries featured lehengas with intricate pearl work, cholis with dazzling embellishments and dupattas that matched the beauty of the two.

The beautiful handcrafted jewellery in butterfly shapes for the neck and ears and as brooches was a perfect complement to the collection.

When tradition and New Age innovations are blended creatively, then Soumitra Mondal’s collection, “The English Garden” for his ‘Marg’ label is at the top of the fashion ladder.

Lakme Fashion Week Winter Festive 2014 Day 2

DEBASHRI SAMANT HOOKED THE AUDIENCE WITH A SKILFULLY CRAFTED COLLECTION AT LAKMÉ FASHION WEEK WINTER/FESTIVE 2014

Tussar, silk and woollen Jamdani came together for Debashri Samanta who enchanted the audience with her Vietnam inspired collection called “Hooked” at Lakmé Fashion Week Winter/Festive 2014. 

Eager to recreate the rustic, rich culture of the Far Eastern country with touches of contemporary appeal, Debashri celebrated the beauty of old and new with creative vigour. The traditional Jamdani fish motifs and loose cotton of the fabric was engineered to suit New Age silhouettes. 

Debashri Samanta

Bringing to centre stage the stylishly torn hand knitted woollens, Debashri told a fashionable tale of craft, culture and hints of poverty from Vietnam’s exotic heritage. Fish and hook motifs were hand woven on the woollen Jamdani, as well as the shredded knit covers. The colour story was sombre with black, white, purple and grey being the base. 

Debashri Samanta

Opening the show with a printed coat over an asymmetric, knotted- at-the-hemline midi; Debashri followed it with a black jumpsuit with long crushed cotton hoodie. Woollen knit choli under a choir boy cape, front tie-up pants, boxy printed coat, over-lapping waist cropped pants, loose square kurta and a draw string gathered pleated skirt, were some of the interesting construction techniques that emerged on stage. To end the show Debashri brought in the knitted one-shoulder cover, a printed poncho and a one-shoulder long sleeve creation.

Debashri Samanta

For fashionistas who long for that exotic touch of the Far East mingled with Indian ethos, they will be “Hooked” on Debashri Samanta’s collection. 

DIVYA SHETH REINVENTED AJRAKH FOR HER STUNNING COLLECTION AT LAKMÉ FASHION WEEK WINTER/FESTIVE 2014

Last season’s Gen Next designer Divya Sheth was inspired by tea tables with Ajrakh prints. For Lakmé Fashion Week Winter/Festive 2014, Divya once again worked with Ajrakh for a collection called “Ajrakh Jo Galicho” (Carpet of Ajrakh). Highlighting health conscious festive wear for spiritual souls, Divya had natural dyed Ajrakh with experimental Kalamkari, which was hand printed/painted and turned these two crafts into couture offerings.

Divya Seth

Indian hues lit up the ramp as haldi and kesari, Mehendi Sindoor, were created with pure turmeric, henna, madder flower and indigo. Adding Uzbek ikat, large doses of gotta, quilling, raffia tassels and safety pins, the winter collection of carpet dresses, scarves and draped garments were a visual delight to behold. 

Divya Seth

Colours were muted shades of khaki, brown; chutney and teal. The military like dress with raffia tassels, the wrap jumpsuit with woven shrug and the column creation with long sleeve tasselled bolero fitted into the theme perfectly.

Divya Seth

The multi fabric draped maxi added a feminine touch to the line, while the trio of indigo satin gowns with intricate embroidery on the sleeves and bodice, offered a more formal option. Dhoti pants were visible under long kameez and jacket, while the final khaki lehenga and printed kurta-coat with pleated 3D fan appliqués was a perfect answer to semi formal wear.

Divya Seth

The jewellery, which highlighted the creations was in copper and once again with raffia tassels and shimmering semi precious stones.

Working around a fluid flowing silhouette and asymmetry for the creations, Divya Sheth showcased a colourful line that will delight women who long for unconventional styling.

PURVI DOSHI MARRIED TWO CULTURES FOR A SUPERB COLLECTION AT LAKMÉ FASHION WEEK WINTER/FESTIVE 2014

Purvi Joshi showcased her creative and innovative side at Lakmé Fashion Week Winter/Festive 2014 by bringing in harmony between two cultures for her collection ‘Chavi’.

Purvi Doshi

Inspiration was drawn from the ever famous African ‘AZTEC’ prints which are trendy all over the world.  Purvi converted these prints to turn them into a ‘desi’ offering of glamorous fusion wear.

This change from international to hometown material was created with brilliant merging of the prints into mirror embroidery with subtlety of Kutch and Gujarat beaming through.

The garments looked melodious in sound hues of saffron, blue, chilli red, green and white, that effortlessly flowed into the silhouettes.

Purvi Doshi

The hand-work on the garments was the reflection of a dying art of mirror work by the rural crafts-people who were struggling to keep this tradition afloat.

This eye filling collection had maxis, saris paired with short kurtas along with flared blouses, tie and dye skirts as well as long kurtas with flared pants. This collection had variety of detailing like pleats, layering, gathers and keyholes. It was colourful and eclectic just like its mirror work. 

Purvi Doshi

Other enchanting ensembles were the Anarkalis that were rich in blue and had colourful edging details. Rajasthani bangles were also a major statement making accessory style that was adopted to complete the collection.

Purvi Doshi

Sonal Chauhan, star of the Bollywood hit film ‘Jaanat’ appeared wearing a sleeveless off-white blouse with a flared skirt embodying tons of mirror work. 

Purvi Doshi’s beautiful collection ‘Chavi’ not only brought the intricate Indian craft and culture onto the international fashion stage, but also managed to create awareness amongst the Indians on how important it is to “Wear Indian and be Indian”

SIDHARTH SINHA OF N & S GAIA BROUGHT EARTHY LUXURY AT JABONG STAGE DURING LAKMÉ FASHION WEEK WINTER/FESTIVE 2014

Sidharth Sinha under his label ‘N&S Gaia’ showcased a city-chic collection titled ‘Meta Modernism’ at the Jabong Stage during Lakmé Fashion Week Winter/Festive 2014. 

Inspired by the beauty of butterflies this collection stuck to its roots using elements and motifs in nature for their grace, texture and beauty.

N&S GAIA

The colour palette comprised earthy tones such as champagne, pale green and nude, while darker tones of fairy green, earthy brown, stained white, deep violet and woody black added to the fantastical feel of this range.

N&S GAIA

 Luxurious fabrics like Bhagalpur silk, hand-spun wool, khadi silk, cotton blends and chanderi silk made their way onto the runway in the form of dresses, saris, jackets, gowns, capes and tops. 

The silhouettes were carefully constructed, with drapes taking centre stage in each design so as to give the outfits a feminine, free-flowing appeal.

N&S GAIA

The designer’s craftsmanship was displayed brilliantly when an interesting floral embroidered forest green dress with a touch of sparkle made its way onto the catwalk.

N&S GAIA

Keeping the collection simple yet stylish, the embellishments were restricted to Dakmanda hand plucking with more focus on the cuts and the paint-splatter like print on the fabrics. The crumbled finishes and Organic Iridescent textured dyes added to the innovative look.

N&S GAIA

Beautiful and timeless ‘Meta Modernism’ by Sidharth Sinha for his label N&S Gaia was one range that is sure to fly off the racks!

Lakme Fashion Week - Day 1 part 3

CHANDNI MOHAN – MINIMAL ELEGANCE

A graduate of Nottingham Trent University, UK in 2010, Chandni Mohan’s label “Selvage” was a high end luxury line that created waves at the opening Gen Next show at Lakmé Fashion Week Summer/Resort 2014. Combining effortlessly the concepts of simplicity and power dressing, Chandni based her collection, which was inspired by Preston Scott’s architecture; on crisp tailoring with hints of androgynous touches.

Chandni Mohan

Working around a colour palette of black, white and red; the sharply cut angular boxy dresses, tunics, skirts and covers had asymmetric construction that spelt minimal elegance with maximum impact. Overlapping folds and geometric silhouettes added to the drama of the creations. The accompanying gold jewellery was a perfect match as cuffs, necklaces and earrings added to the look of the very stark but striking collection. The fabrics were Tencel, Satin Crepe polyester, crepe spandex with polyester, sand wash hammer satin and satin chiffons.

Chandni Mohan

For an innovative style statement that makes an eye-catching entry, Chandni Mohan, offered a variety of options to the modern woman. 

Chandni Mohan

DIVYA SHETH – AN INDO-INTERNATIONAL OFFERING

With a course in styling from Central Saint Martins London, Divya Sheth created a mélange of the East and West for her collection. Presenting a mix of Far East motifs and silhouettes with Indian textiles; the stylish line inspired by Mary Cassatt’s “Lady at the Tea Table” was a delightful blend of traditional ikat, khadi and Jamdani weaves with ample doses of intricate embroidery. Borrowing motifs from Japanese, Moroccan and English tableware and tiles, Divya went in for totally unconventional silhouettes that were inspired by the very geometric tea bags and saucers. 

Divya Seth

Elegantly styled one-shoulder dress had cascading saucer like motifs down the front. With white as the base, the pottery blue designs were delicately splashed on the slim trousers, asymmetric summer dress, as well as sultry cocktail creations and draped gowns. The beautiful thread embroidery was the cynosure of all eyes featuring the Chinese temples and cherry blossoms while the Ajrakh prints with the unusual clamp dyeing was another interesting part of the collection.

Divya Seth

Divya Seth

For a perfect English Tea Party appearance Divya Sheth’s diversely inspired line will have great international appeal

NIKHIL THAMPI UNLEASHED A COLLECTION OF UNTAMED BEAUTY AT LAKMÉ FASHION WEEK SUMMER/RESORT 2014

It was a rebellious collection that Nikhil Thampi unleashed on to the ramp at Lakmé Fashion Week Summer/Resort 2014. Called “Untamed” it was the designer’s uninhabited offering of unconventional, non-conformist fashion. The highlights of the collection revolved around the intense zipper detailing and the rose gold metallic flowers that were splashed lavishly on the garments which created an eye catching and striking impact.

Nikhil Thampi

Nikhil started with an all-white line of very structured ensembles and then gradually added pink – rose, blush and dusty nude. But the colour story moved further and added red, mango, yellow, purple, teal and tan leather for a collection that revealed many interesting fashion facets. Fitted dresses, tailored trousers, shirts, pencil skirts and blazers gave a cross section of ensembles to the audience. 

Nikhil Thampi

The final glittering 3D rosette covered bustier was a dazzling end to the show which started on a sober note and moved into high octane glamour.

NISHKA LULLA’S IDEAL FASHIONABLE TRAVEL WARDROBE WAS A BREEZY PRESENTATION AT LAKMÉ FASHION WEEK SUMMER/RESORT 2014

“Flyaway Flyaway” declared Nishka Lulla as her collection at Lakmé Fashion Week Summer/Resort 2014 was presented to an appreciative audience. Dedicated to the globetrotting fashionista who is particular about her sartorial preferences when jetting around the world, Nishka ensured that her wardrobe will win the lady accolades along with her business acumen.

Nishka Lulla

For easy-to-wear, fuss free, clothes that revealed a soft delicate floatiness, Nishka chose feminine fabrics and pretty pastels to add zing to the travel collection. There was a stark timeless quality about the styling that merged effortlessly with a sporty appearance.

Nishka Lulla

It was a wispy almost translucent line when organza ribbed collar tee, windcheaters, jumpsuits with tiny bougainvillea motif print floated down the runway. Cotton drawstring Bermuda shorts, sheer peplum dress, the final crepe jumpsuit and dress with mother-of-pearl embroidery were feminine to the core.

NITYA ARORA OF VALLIYAN PRESENTED A WONDERLAND OF JEWELLERY AT LAKMÉ FASHION WEEK SUMMER/RESORT 2014

Mumbai, 12^th March 2014: Presenting an ode to her friends in the LGBT community Nitya Arora’s jewellery collection for her “Valliyan” label called “Juliet loves Juliette” was an unconventional take on the Romeo-Juliet theme. The jewellery was whimsical as the designs moved from reality to fantasy revealing Nitya’s creations as luxury meets fantasy.

Nitya Arora

Nitya Arora’s collection called “Juliet loves Juliette” offered constructed and deconstructed jewelry that will be the talk of the season wherever it retails.  

Nitya Arora

High shine satin and luxurious fabrics created an impact on the ramp, when unisex brooches were turned into medal necklaces, while ear cuffs, head gears and tassels were multi-functional accessories.